Kam Jali

Is it possible to consider a piece of rock to massive galaxies all without any intermediaries as the objectivity of art? Yes, provided that we are after discovering art and not inventing art. At the same time that we are deeply watching the magnificent views of nature, we are also under the interaction of our own subjective imagination and a corner of nature just like when are watching an artwork in a museum. Art is flowing freely in nature and passes us by without consideration of our logics, like a unique artist that we do not know and we pass by him carelessly. However, it is exactly the art hidden in nature that have taught creativity to mankind throughout history. Whenever and wherever that the creative force of mankind could manifest itself, the effect of art has been a fundamental force then and there as well. It is of no difference which of the mankind achievements are we talking about, as anything that art touches, it will convert to a discovery, creativity or a skill. Thereby I have always considered the role of art beyond its decorative aspects for a certain people who were able to afford purchasing art. Art is life itself and it should be formed in us from childhood and to realize this idea we need to start from our homes. Each home is the most important place that can award the power of creativity to its residents. Homes give a sense that its effect will be eternal and if such a sense is art, then creative children would grow in that home. Those are the ones who someday reveal their inner miracle in one of the fields of art science. Decoding art for the general public based on a new definition is indeed the key to the future world. If we assumed drawing a part of nature is sufficient to be as the truth of nature, today we need to follow human ideals in a comprehensive connection between art and knowledge. All of the pioneering achievements of mankind, whether traveling to far galaxies or searching for eternal life in genetic science, all require scientists and artists who go beyond the known borders of science and art and are able to make a two way communication between them. Architecture is not excluded from this rule. Since the old timers, architecture have formed the life of mankind and have given the sense of security to mankind. It can be therefore imagined that all of our feelings about architecture are even carved in our genes. That is why I have always trusted deep feelings of people in designing and have never doubted myself in recovering their lost but unique feelings. I wanted to recreate the past, the present and the future in the essence of building. For the purpose of realizing this idea, within a particular period of my work life, the path I chose was focusing on the most fundamental feelings of mankind and I have avoided utilization of any complicated form in design because I knew I could not achive my targets with visible aspects. I knew a special structure in connection with senses should be put together, so primarily I have attempted to make the basis tangible and perceptible, like there is tendency to touch some parts of it and to recover the rough and some extent the harsh surface of the nature in it. I, therefore, taken into consideration a special focus on using plants. I desired the existing plants on the paths be of the kind that you can pick them and to taste their spiciness and provocativeness. Caressing of the sound of water with its sense of freshness and verdancy, mixed with the aroma of lemon blossoms, were simple subjects which were impossible to forget, because they were all small parts of the everlasting and eternal forces in nature. So, these experiences taught me that architecture is not just a beautiful cover for space. In order to realize a good architecture, therefore, we need to touch the depth of human feelings.